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1916Futurism was a movement originating in Italy which rejected tradition and introduced experimental sounds inspired by machinery. Much of this new genre’s origins may be traced to painter and composer Luigi Russolo, who in 1913 printed his groundbreaking manifesto, The Art of Noises calling for the incorporation of noises of every Art & Music news sort into music. This impressed fellow Italian composers Francesco Balilla Pratella and Franco Casavola to comply with in his footsteps. This new aesthetic also became shortly embraced by the Russian avant-garde making a parallel movement of Russian Futurists.